Quantum 2626
With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interface on the planet." The Quantum 2626 uses the Thunderbolt 3 bus and PreSonus®' proprietary driver to achieve the lowest round-trip latency of any audio interface (as low as <1 ms). Now you can record and monitor with up to 24-bit, 192 kHz fidelity through your favorite plug-ins, without leaving the DAW.
The Quantum 2626 provides up to 26 audio inputs and 26 outputs, with 8 of PreSonus' lauded XMAX Class A analog microphone preamps. High-quality converters on every analog input and output provide 115 dB of dynamic range, with superior low-jitter clocking, to capture complex musical harmonics smoothly and naturally with no audible distortion. The result is the superb audio quality sought by working professionals. You also get MIDI I/O and BNC word clock I/O that ensures tight sync with other digital audio devices. The interface is well protected by a 1U rack-mountable, rugged, all-metal chassis with metal knobs.
With the included 12-months of Studio One Pro+ and Studio Magic Software Suite, the Quantum 2626 is a complete recording solution. The interface also is compatible with virtually any recording software for macOS or Windows. Free PreSonus UC Surface control software provides access to full metering and an integrated real-time analyzer (RTA).
Features
- 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
- 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
- Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
- 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
- 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
- ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
- Stereo S/PDIF coaxial input and output
- MIDI I/O and BNC word clock I/O with low-jitter clocking
- 12-months of Studio One Pro+ and Studio Magic Software Suite included
- 1U rack-mountable, with all-metal chassis and metal knobs
With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interface on the planet." The Quantum 2626 uses the Thunderbolt 3 bus and PreSonus®' proprietary driver to achieve the lowest round-trip latency of any audio interface (as low as <1 ms). Now you can record and monitor with up to 24-bit, 192 kHz fidelity through your favorite plug-ins, without leaving the DAW.
The Quantum 2626 provides up to 26 audio inputs and 26 outputs, with 8 of PreSonus' lauded XMAX Class A analog microphone preamps. High-quality converters on every analog input and output provide 115 dB of dynamic range, with superior low-jitter clocking, to capture complex musical harmonics smoothly and naturally with no audible distortion. The result is the superb audio quality sought by working professionals. You also get MIDI I/O and BNC word clock I/O that ensures tight sync with other digital audio devices. The interface is well protected by a 1U rack-mountable, rugged, all-metal chassis with metal knobs.
With the included 12-months of Studio One Pro+ and Studio Magic Software Suite, the Quantum 2626 is a complete recording solution. The interface also is compatible with virtually any recording software for macOS or Windows. Free PreSonus UC Surface control software provides access to full metering and an integrated real-time analyzer (RTA).
Features
- 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
- 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
- Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
- 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
- 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
- ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
- Stereo S/PDIF coaxial input and output
- MIDI I/O and BNC word clock I/O with low-jitter clocking
- 12-months of Studio One Pro+ and Studio Magic Software Suite included
- 1U rack-mountable, with all-metal chassis and metal knobs
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Highlights & specs
Studio One Pro 7 DAW Software Access Included.
Your hardware registration includes a 6-month stackable membership to Studio One Pro+ featuring unlimited access to the latest version of Studio One Pro and all the extras.
About XMAX preamps.
PreSonus®’ famed XMAX Class A preamps have no crossover distortion and deliver pure, clear, musical results. They run on high-voltage power rails to deliver more headroom, deeper lows, smoother highs and a richer overall sound. We only use discrete components for accuracy and transparency — not op-amps that can add noise, coloration and harshness.
All the connectivity you need.
The Quantum 2626 provides two combo mic/instrument inputs (with direct outs and returns for patching outboard gear) and six balanced mic/line inputs. Another 18 inputs and outputs are available via ADAT/dual SMUX and S/PDIF. Eight ¼-inch TRS outputs are DC-coupled for sending control voltages, plus two Main outs, two headphone outs, and MIDI I/O.
Microphone Preamp
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Total Harmonic Distortion< 0.005% (1 kHz, Minimum Gain)
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Gain Control Range60 dB
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Microphone Preamp Maximum Input Level+10 dBu (Balanced, Minimum Gain)
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Phantom Power+48 VDC
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Frequency Response20 Hz to 20 kHz (±0.15 dB, Unity Gain, 48 kHz)
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Microphone Preamp Input Impedance1.6 kΩ
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Dynamic Range> 110 dB (A-Weighted, Minimum Gain)
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Equivalent Input Noise< -131 dBu (Maximum Gain, 40Ω, 22 kHz BW, A-Weighted)
Instrument Inputs
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Instrument Inputs Impedance> 1 MΩ
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Instrument Inputs Maximum Level+15 dBu (Unbalanced, Minimum Gain)
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Gain Range60 dB
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Frequency Response20 Hz to 20 kHz (±0.2 dB, Unity Gain, 48 kHz)
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Dynamic Range> 106 dB (A-Weighted, Minimum Gain)
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Total Harmonic Distortion< 0.005% (1kHz, Minimum Gain)
Line Inputs
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Line Inputs Maximum Level+ 18 dBu (Balanced, Minimum Gain)
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Line Inputs Frequency Response20 Hz to 20 kHz (±0.05 dB, Unity Gain, 48 kHz)
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Line Inputs Dynamic Range> 118 dB (A-Weighted, Minimum Gain)
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Line Inputs Total Harmonic Distortion< 0.005% (1 kHz, Minimum Gain)
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Line Inputs Impedance10 kΩ
Main and Line Outputs
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Main And Line Outputs Maximum Level+18 dBu (Balanced)
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Main And Line Outputs Frequency Response20 Hz to 20 kHz (±0.05 dB, Unity Gain, 48 kHz)
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Main And Line Outputs Total Harmonic Distortion< 0.0035% (1 kHz, +4 dBu)
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Main And Line Outputs Dynamic Range> 118 dB (A-Weighted)
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Main And Line Outputs Output Impedance51Ω
Headphone Outputs
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Headphone Outputs Maximum Output175 mW/Channel (56Ω Load)
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Frequency Response20 Hz to 20 kHz, +/-0.5 dB
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Dynamic Range> 110 dB (A-Weighted)
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Total Harmonic Distortion< 0.03% (1 kHz)
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Headphone Outputs Impedance Working Range16Ω to 300Ω
Digital Audio
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Digital Audio Dynamic Range115 dB (A-Weighted)
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Digital Audio Bit Depth24 Bits
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Supported Sample Rates44.1, 48, 88.2, 96, 176.4, 192 (kHz)
Electronics
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Voltage120V
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Headphone Jack1/4” TRS Female, Stereo, Unbalanced
Miscellaneous
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Connection Type12 VDC, External Power Supply
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MIDI I/ODual 5-Pin Female DIN
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